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"Breakfast Meeting at New Locanda" is a warm, memory-rich story that blends nostalgia, place, and friendship into a gentle narrative about reconnection. It is a tale where the physical journey across Ottawa mirrors an internal journey through decades of recollections, each step awakening a thread of personal history.

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Breakfast Meeting at the New Locanda

By Harry Arabian

I was in Ottawa for the yearly Fire Safety Conference at Minto Place—a trip I’d made often enough that the city’s downtown blocks felt familiar, though never worn-out. On Tuesday evening, I phoned Andy to let him know I was in town and hoped to see him before my Friday flight home.

“Wednesday, early morning. Eight sharp,” he said. “We’ll meet at the New Locanda Diner on Laurier West. Short walk from where you are—and trust me, they’ve got the best Lebanese coffee in the city. Fresh man’oush that’ll take you right back to vendors on the streets of Beirut.”

That settled it.

The next morning, Ottawa greeted me with a fine May sun that warmed the sidewalks and sharpened reflections in the glass towers. I asked the hotel clerk for directions. She smiled, pointed west, and said, “Follow Bank Street—two blocks. You’ll see the diner on the corner.”

“How convenient,” I murmured as I thanked her, already feeling the small lift that comes from the promise of good company.

Bank Street was alive with commuters and shopkeepers nudging their window displays into place. One storefront was a high-end fashion boutique, its mannequins remaining as rigid and hollow as ever. Next to it—and unexpectedly—a record store.

A bright, bold Paul Anka cover in the window caught my eye. I drifted closer. The track list made me stop. There it was: “She’s a Lady.”

And suddenly I was fourteen again.


Ken’s morning anthem—his shower soundtrack to the entire neighborhood in the 1970s—came rushing back. It was the song he belted every day with theatrical gusto, driving his parents, his sister, and half the block to the brink of madness. It was also the soundtrack of our middle school mornings at Church & Cedar, where I’d wait for Andy and Ken. Sometimes fifteen minutes. Sometimes thirty. And on the morning that had become legend, I finally marched to Ken’s house—only to find Andy already outside, listening helplessly as Ken crooned at full blast from the bathroom window.

“She’s a laaady!”

We groaned. We laughed. Somehow, that ridiculous moment became the thread we never stopped tugging on.

Back in the present, I stepped into the record store. The clerk grinned when he saw the LP in my hands.

“Memorable choice,” he said. “The Anka family used to run the diner on the corner. The new owners kept some memorabilia on the walls. Worth a look.”


“I will,” I said, amused by the neat coincidence—and by the tug of a memory that felt warmer than I expected.

When I arrived at the New Locanda, the scent of fresh dough and spiced coffee wrapped around me like an old blanket. I slid into the first empty booth and ordered a cup. Still no sign of Andy—of course. His enthusiasm had always outpaced his punctuality.

The walls were lined with Paul Anka memorabilia: black-and-white photos, concert posters, an old microphone preserved behind glass. He had been quite the teen idol. Staring at that smiling 1960s face, I couldn’t help thinking of Crooning Ken—our own neighborhood pop star, if only in the echo chamber of his bathroom.

I was mid-sip when the diner door burst open.

“Well hello, Jack! You made it!” Andy boomed. “Can you guess who’s with me?”

He stepped aside, revealing a bald man with a mischievous grin and the kind of confidence that comes from decades of leaning into who you are.

I squinted. There was no chance.

The man pointed to the LP on my table. “She’s my lady. Still my favorite.”

The voice—deep, theatrical, unmistakable—hit me first.

“Ken?” I blurted. “Ken! Look at you!”

He laughed—a fuller, richer version of the one I remembered. “Still crooning. Just with better acoustics now.”

The three of us stood there laughing, hugging, trying to catch up with the decades that had slipped past like loose pages blown down a street.

And just like that—over Lebanese coffee, warm man’oush, and memories that felt both distant and close—the old Church & Cedar trio was back together, as if time had only stepped away for a moment before returning to join us.

 


Comments

  1. 🌟 Story Summary (Book-Club Ready)
    Breakfast Meeting at New Locanda is a warm, nostalgic short story about friendship, memory, and the threads of youth that carry into adulthood.
    While in Ottawa for a Fire Safety Conference, the narrator arranges an early morning meeting with his old friend Andy at the New Locanda Diner—famed for its Lebanese coffee, man’oush, and unexpected Paul Anka memorabilia.
    On his walk through Ottawa’s Centretown, the narrator encounters a record shop displaying a Paul Anka LP featuring “She’s a Lady.” The song instantly transports him back to teenage mornings at the Church & Cedar street corner, where he would wait—often impatiently—for Andy and their friend Ken, whose habit of loudly singing “She’s A Lady” in the shower became the signature soundtrack of their youth.
    The LP becomes a symbol of a shared past: a moment of recognition that bridges the decades. Upon arriving at the diner, the narrator is surprised not only by the wall of Paul Anka memorabilia but by Andy walking in with an unexpected companion—Ken himself.
    The story culminates in a joyous, emotional reunion, reaffirming the enduring power of lifelong bonds.
    ________________________________________

    📚 Themes for Book-Club Discussion
    1. Nostalgia and Memory
    How everyday objects—like a vinyl album—can evoke vivid emotional landscapes and reconnect us to forgotten moments.
    2. Enduring Friendships
    The story shows how friendships formed in youth can survive long distances, long absences, and even long silences.
    3. The Power of Music
    “She’s a Lady” becomes more than a song—it's a shared emotional language that defines a trio’s identity across decades.
    4. Place as Memory Trigger
    Ottawa’s streets, the diner, and even the fashion storefront all act as catalysts for reflection. How does setting become a character?
    5. The Unexpected Gift of Reunion
    The surprise reappearance of Ken highlights the story’s emotional arc: the joy of reconnecting with people who shaped our early years.
    ________________________________________
    🗣️ Discussion Questions
    1. What role do small, everyday objects (like the LP) play in triggering memory in the story?
    Share whether you've ever had a similar “memory trigger” experience.
    2. How do the narrator’s teenage memories shape the tone of the story?
    Is the nostalgia comforting, humorous, bittersweet, or all of the above?

    3. Discuss the three friends—Jack, Andy, and Ken.
    What do their personalities reveal about the dynamics of long-term friendships?
    4. How does the setting of Ottawa—especially Bank Street—contribute to the narrator’s emotional journey?
    Would the story feel different set somewhere else?
    5. What emotions did you experience during the reunion scene at the diner?
    Did it feel earned? Surprising? Cathartic?
    6. How does the story explore the idea that time may pass, but certain bonds remain unchanged?
    Is this theme believable or idealized?
    7. What does “She’s A Lady” symbolize for the trio?
    Is it simply nostalgia, or does it represent identity, youth, or something deeper?
    8. Have you ever had a reunion with a childhood friend after many years?
    How did it compare to the narrator’s experience?

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